To understand Blizzard, you need to understand that it’s a developer that is known more for its execution on existing ideas than its original concepts. You have to look at the big picture to make sense of all this, because there’s more logic to this situation than it may appear. So what went wrong with this reveal? How did Blizzard mess up what should have been a fairly standard game announcement? Why is Diablo: Immortal such a bizarre shift for Blizzard, and why is it triggering such rage and anxiety in the audience? I disagree with this assessment, and it ignores the expectations that Blizzard itself has spent decades creating in its fans. It’s pretty clear to us that there is a huge audience around the world that is gonna love this title. “So I actually think that those two items are being conflated. “The way I’ve been kind of looking at the mixed comments is what those folks are really saying is they desperately, passionately want the next big thing,” Allen Adham, executive producer and Blizzard co-founder told Polygon in a previous interview. And interviews after the controversial press conference indicate that the company may be confused about why fans are so angry. Blizzard wasn’t ready for the immediate, and overwhelmingly negative, fan reaction to the announcement of Diablo: Immortal.
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I think it is a guilty pleasure, something to be enjoyed by the few but annoyed by the rest. So in conclusion, "Battleship" is a fun, corny, typical summer movie that I like but as you see a lot of people didn't. lost in translation? - you try to make a game into a movie and you want to put parts of them game in it? Not easy, a little cheesy? Of course, but fun? Yes, fun, enjoyable, and in the end it was a part of the story that wasn't as forced as it could have been. She was there, she didn't try to chew the scenery, she did her job as an actor/secondary character and it didn't bother me. The actors did a good job with what they were given - Taylor Kitsch did a good job, Rihanna wasn't that bad, I dare say good, in her role. 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